GLEN COVE, NY — Extensive changes were made in
the liturgy of the Western Catholic Church (and some other churches)
in the late 1960s and early 1970s. One of the more striking ones was
a widespread change in the direction the priest faces at Mass. This
led to some unfortunate changes in church interior architecture that
can and should be corrected.
Prior to 1969, the Catholic Church celebrated three major types of
Masses. The first was the “High Mass,” “Solemn Mass,” or “Solemn
High Mass,” which was celebrated by a priest, deacon, and another
cleric, ordinarily a subdeacon. The second type was the “Missa
Cantata” or “Sung Mass,” which was originally a Mass
with sung parts; over the centuries, elements of the High Mass — specifically
the use of incense, a master of ceremonies, and torches — were added,
so that by the late 1950s this became the ordinary way of celebrating
the Missa Cantata. The Missa Cantata was always celebrated without
a deacon, and almost always without a subdeacon. The third type was
the Low Mass, which was originally a private Mass, either without a
congregation or with a few friends or acquaintances of the priest;
over time, it became the usual way of celebrating most Masses.
At the High Mass, the priest faced the people when he spoke to them
and he faced the altar, almost always facing the same direction as
the people, when he prayed directly to God. The deacon proclaimed the
Gospel from the Gospel side of the sanctuary (the north side if the
altar was on the east side), and the subdeacon or minor cleric proclaimed
the Epistle or Lesson from the Epistle side (the south side if the
altar was on the east side).
At the Missa Cantata until 1964, the priest also proclaimed the Gospel
(and almost always the Epistle or Lesson) facing generally in the direction
of the altar. At the Low Mass, he always proclaimed both readings facing
generally in the direction of the altar. At the Low Mass, the priest
only turned around to face the people a few times, such as before the
orations, before Communion, at the Orate Fratres, and at the final
blessing and dismissal. He celebrated virtually the entire Mass with
his back to the people.
In the early 1960s, two changes occurred that were at cross purposes.
In 1964, in one of its first liturgical reforms inspired by Vatican
II, the Church authorized the priest at a Low Mass to face the people
during the Gospel and Epistle or Lesson. This change was intended to
restore the distinction between the priest facing the people when speaking
to them and facing the altar when praying to God. At the same time,
popular enthusiasm began to embrace the idea of the priest facing the
people throughout the Mass. This tended to destroy the distinction
between the priest facing the people when speaking to them and facing
the altar when praying to God and leading the people in prayer.
In 1969, as part of a major reform, the Church abolished the distinction
between the three major types of Mass and embraced the idea of the
priest facing the people throughout the Mass in newer churches. The
Church, however, has never required it. Pope Benedict XVI has returned
to the older form at Masses celebrated in the Sistine Chapel.
The idea of the priest facing the people throughout Mass has no justification
in history or liturgical theory.
As this idea became almost universal, the interiors of Catholic (and
some other) churches were changed to accommodate the new practice.
This rearrangement was often required by liturgical “experts” but
never by legislation. The results have often been quite bad. In some
places, the prominence of the altar has been reduced to that of a Calvinist “communion
table.” In other places, the altar has been moved so far forward
in the sanctuary that no space remains for clergy other than the celebrant
or for a solemn chanting of the Liturgy of the Word in the traditional
manner. Sometimes, the distinction between the sanctuary and the space
for the people has been obliterated.
Almost always, the change has destroyed the integrity of the architect’s
original design. Before the early 1960s, the altar was almost always
near the back of the sanctuary, allowing the priest to celebrate according
to the older practices and leaving enough room for the deacon and subdeacon
and for a proper pontifical celebration by a bishop.
The Church is now encouraging the widespread use of the 1962 Missal
and other liturgical books, according to which the celebrant has his
back to the people for most of the Mass. Many churches, however, were
reconfigured in such a way as to make such a celebration awkward or
impossible.
There should be a movement toward returning older churches to their
original architectural integrity, with the altar near the back of the
sanctuary and a substantial altar rail at the front of it, and with
enough space between to celebrate the High Mass properly.
This restoration will cost money. Some will say that this is a non-productive
expenditure. They are wrong. Frederic Bastiat once pointed out that
breaking a window and paying someone to repair it did not produce any
more wealth than would have been produced if it had never been broken.
His point, however, was not to condemn the repair of broken windows
but to condemn the breaking of windows. Too many of our churches are
broken, and it is an appropriate expenditure to fix them.
The Confederate
Lawyer archives
The Confederate Lawyer column is copyright © 2011
by Charles G. Mills and the Fitzgerald Griffin Foundation, www.fgfBooks.com.
All rights reserved.
Charles G. Mills is the Judge Advocate or general counsel for the
New York State American Legion. He has forty years of experience in
many trial and appellate courts and has published several articles
about the law.
See his biographical sketch and additional columns here.
To sponsor the FGF E-Package, please send a tax-deductible donation
to the:
Fitzgerald Griffin Foundation
344 Maple Avenue West, #281
Vienna, VA 22180
or donate online.